Reading References – PDFs and Compilation List

Sometimes making something leads to nothing, but_______

Art References:

Augusto Boal, Lygia Clark, Oskar Hansen, Allan Kaprow, Robert Morris, Dennis Oppenheim.

Design Thinking – creative process in art and design
Eduardo Pedreiro

Reading References:

Isaksen, S. G.; K. B. Dorval; D. J.Treffinger. Creative Approaches to Problem Solving: a framing for change. Dubuque, Iowa; Kendall/Hunt, 2002.

Tschimmel, Katja. Processos Criativos: a emergência de sistemas na perspetiva sistémica da criatividade, (Publisher, Place + DATE).

——–. “Design Thinking as an effective Toolkit for Innovation” in Proceedings of the XXIII ISPIM Conference: Action for Innovation: Innovating from Experience. Barcelona, 2012.

——–; Joana Santos; Dirk Loyens; Alexandre, Jacinto; Rute, Monteiro; Mariana Valenca. Research Report D-Think: design thinking applied to education and training. ERASMUS +. KA2 Strategic Partnerships. ESAD Matosinhos, 2015.

Learning by Design Art teaching approach
Luísa Caldas e Catarina Fonseca

Reading References:

Cope, Bill; Mary Kalantzis. Learning by Design. Common Ground Publishing Pty, Limited, 2006.

——–. A Pedagogy of Multiliteracies: Learning by Design. Springer, 2016.

Relational Art Practices in Context
Prof.ª Gabriela Vaz-Pinheiro

Reading References: PDFs (click Titles for PDFs)

Kester, Grant, “Conversation Pieces: The Role of Dialogue in Socially-Engaged Art” in Zoya Kucor and Simon Leung Blackwell (Eds) Theory in Contemporary Art Since 1985, 2005

WHAT IS Participatory and Relational Art? IMMA Talk Series, Education and Community Programmes, Irish Museum of Modern Art, 2010

References: Further Reading

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

——, (Ed.). Participation. London: Whitechapel, 2006.

Bourriaud, Nicolas. Relational Aesthetics. Dijon, France: Presses du Réel, 2002.

Courage, Cara. Arts in Place: The Arts, the Urban and Social Practice, Routledge Research in Culture, Space and Identity, Routledge 2017.

Doherty, Claire (Ed). Contemporary Art from Studio to Situation. London: Black Dog, 2004.

Finkelpearl, Tom. What We Made: Conversations on Art and Social Cooperation. Durham, N.C.: Duke University Press, 2013.

Jackson, Shannon. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011.

Kester, Grant. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press, 2004.

——. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, N.C.: Duke University Press, 2011.

Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. Cambridge, Mass.: MIT Press, 2002.

Purves, Ted, (Ed.) What We Want Is Free: Generosity and Exchange in Recent Art. Albany: State University of New York Press, 2005.

Sholette, Gregory, and Blake Stimson, eds. Collectivism after Modernism: The Art of Social Imagination after 1945. Minneapolis: University of Minnesota Press, 2007.